Reviews Andrew O’Hagan’s Caledonian Road, the New Statesman, 2024Sheila Heti’s Alphabetical Diaries, the New Statesman, 2024Britney Spears’s The Woman in Me, the New Statesman, 2023The novels of Richard Osman, the New Statesman, 2023Susan Sontag’s On Women, the New Statesman, 2023The Marriage Question: George Eliot’s Double Life, the New Statesman, 2023Curtis Sittenfeld’s Romantic Comedy, the New Statesman, 2023Pamela Anderson’s Love, Pamela, the New Statesman, 2023Bret Easton Ellis’s The Shards, the New Statesman, 2023 Alan Rickman’s diaries, the New Statesman, 2022 Agatha Christie: A Very Elusive Woman, the New Statesman, 2022 Nora Ephron: A Biography, the New Statesman, 2022Pete Doherty’s “memoir”, the New Statesman, 2022 A “haunted life” of Jean Rhys, the New Statesman, 2022 Patricia Highsmith’s diaries, the New Statesman, 2021Sally Rooney’s Beautiful World, Where Are You, the New Statesman, 2021Jacqueline Rose’s On Violence and On Violence Against Women, the New Statesman, 2021Katherine Angel’s Tomorrow Sex Will Be Good Again, the New Statesman, 2021Daisy Johnson’s Sisters, the New Statesman, 2020Why Lucy Ellman’s Ducks, Newburyport won the 2019 Goldsmiths Prize, the New Statesman, 2019Jia Tolentino’s Trick Mirror, New Statesman, 2019Bret Easton Ellis’s White, the Guardian, 2019